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| This article first appeared
in the June 2001 issue of Literacy
Today (issue no. 27). |
Creative
family literacy
Angela Jackson
| Musicians,
puppeteers and other artists have made learning enjoyable and creative
for families in Rochdale. Angela Jackson, partnership
education project coordinator, reports. |
Artists have become part of our
family literacy programmes through collaboration with Cartwheel Community
Arts. Their work has greatly increased feelings of self-confidence and esteem
that are crucial for learning - for parents as well as for children. Three
years' funding from the National Lottery Charities Board has allowed three
artists to work for four sessions each as part of our courses in schools.
Their practical projects provide many opportunities for the development
of new talents and skills which make learning enjoyable and creative.
Family literacy in Rochdale
goes back a long way. The Belfield Reading Project began in 1978 to increase
parents' involvement in the teaching of reading. In 2001, there are many
more family literacy programmes in the borough, with a team of multi-lingual
family literacy workers/tutors in schools and nurseries, a curriculum
coordinator and a family literacy adult tutor, supported by a range of
funding.
Various artists have been involved
in the creative family literacy programme and sessions are planned together
with tutors and parents. A puppeteer and parents wrote a version of Heer
Ranjha, a folk tale from Jhang, which is now part of Pakistan. Parents
performed it as a play - it has a similar theme to Romeo and Juliet -
with puppets they had made, to children from a group of schools.
Another group worked with a
musician to animate rhymes with their children and to make their own music.
One artist offered multi-media arts to develop the theme of "ourselves".
After each two-hour session with parents, the children join them and the
artist to create their own pieces, a caterpillar mobile, an articulated
paper elephant or a flying frog, musical instruments or puppets.
The most popular art form has
been working with an artist using wood to extend literacy activities around
a favourite book. To illustrate The Hunter by Paul Geraghty, parents made
a syncopated pull-along elephant and retold the story in Urdu and Bengali
to a whole school assembly. This also led to much discussion about the
ethics of hunting and research into the different breeds of elephants,
through personal experiences, and through the school and central library.
Oracy and literacy flowed naturally and enthusiastically from the art
work.
At the end of each year there
is a public performance of the work, exhibitions of photographs and artefacts,
and workshops that represent the creative arts in Rochdale and the traditions
of Pakistan and Bangladesh. Schools and parents join in and there is a
chance to show the variety of other work of the Partnership Education
Project so that more parents can become involved.
Accreditation and evaluation
All the family literacy programmes
are accredited by the Open College of the North West under FAME (Foundation
Accreditation in Maths and English). The learning that comes out of real
situations of working with artists fits easily into the evidence by portfolio
that is needed for the accreditation. Oracy comes naturally from discussions
about design, comparisons, questions and mutual encouragement. Reading
is necessary to follow instructions for making the toys, health and safety
notes and from reading the stories, plays and rhymes. Writing is used
for drafting the designs, keeping a creative diary of the process and
for follow-up related research topics. All this is learning for a purpose
and following parents' and children's own interests. The assessor from
the OCNW praised the literacy work that came out of these sessions with
artists.
An independent evaluation of
the creative family literacy project with Cartwheel Community Arts found
that the partnership has made a huge impact. The feedback from parents
has been overwhelmingly positive. When parents are asked for termly evaluations
they rate the sessions with artists the highest, and even quote the previous
term's art sessions in their current evaluations. There is a great feeling
of achievement in producing something unique, by overcoming apprehension
and in learning new skills. The most successful artists and teachers inspire
students and enable them to produce work that they are proud of. This
kind of practical learning often overcomes the reticence that parents
have about joining a literacy class that may feel like going back to school
to read and write. With new confidence and skills, parents also feel that
they have something to contribute to their children's learning.
Further reading
K. Coates-Mohammed (December
2000) A discussion of the design and content of the family literacy
curriculum devised by the Partnership Education Project. Unpublished,
M.Ed. in Literacy, Sheffield University.
A. Jackson and P. Hannon
(1981) The Belfield Reading Project, Rochdale: Belfield Community
Council.
B. Raymond (2000) Creative
Family Literacy: External Report, Cartwell Community Arts. |
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