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Literacy changes lives

This article first appeared in the June 2004 issue of Literacy Today (issue no. 39).
 
YouthBOOX moves on
Ruth Harrison

The YouthBOOX project engages disadvantaged young people in reading, to improve their literacy skills and confidence. Project manager Ruth Harrison reports on the latest aspect of its work - referring youngsters on to suitable basic skills provision.

YouthBOOX Moving On built on earlier YouthBoox programmes that developed partnerships between youth workers and libraries to engage socially excluded young people with reading. This time, work was targeted specifically at young people (aged 12 to 16) with literacy problems - to improve their reading in an informal, supportive atmosphere in which tackling low reading levels leads naturally from work already done.

The programme explored how to build sustainable local partnerships between libraries, youth workers and basic skills providers. Youth workers and librarians were trained to identify young people with low reading levels (reading age of six to 12 years) and help them through onward referral and long-term basic skills support. Five local authority areas took part: Cramlington in Northumberland, Essex, Kensington & Chelsea, Richmond and Shropshire. Partners included youth and library services, schools and Youth Offending Teams (YOTs).

In some of the projects young people were selected for their low reading ability; in others reading levels were more mixed. At the beginning of the project, many said that they didn't read or didn't like reading, which could indicate a reluctance to read or a literacy problem. Within many of the projects no formal literacy assessments were available so workers used observational techniques to ascertain attitudes towards texts. This involved taking a non-intrusive approach, building on the interests of the young people to develop self-confidence and self-esteem in an environment where books are 'part of the furniture' and therefore safe.

'Books' was interpreted widely to include magazines, newspapers and websites. The aim was to validate all kinds of reading and responses to it as well as breaking down conceptions of what we mean by reading. The range of activities offered was also wide, including cartoon/artist workshops, producing photo-stories, lyric writing and picture book sessions.

Book buying proved an important tool for engaging young people - it empowered them to talk about why they had chosen a particular book. Project workers worked hard to source appropriate materials, but finding relevant mainstream texts was often difficult: they needed to be at an appropriate level, non-stigmatised and attractive for young people. Books that worked well included picture books, 'small' books, poetry, and non-fiction relevant to young people's interests (relationships, health, music).

Partnerships
Projects worked within two contexts: open access youth club/library venues and 'closed' projects (YOTs, pupil referral units, schools). For closed projects - in settings where literacy assessments were available - the basic skills element was about ensuring delivery mechanisms were in place to provide ongoing support (from assessment through to tutoring).

For projects in an open access environment with potentially no access to formal assessment data, the basic skills issues related not only to ascertaining the level of literacy need but also to getting the young people to recognise that they may have a problem. They had to want to do something about it and be confident enough to talk to someone. This model requires greater clarity on the role of a basic skills provider; basic skills knowledge built into the activities; and access to basic skills support on an ongoing basis. Projects may be more about building a safe environment for the young person whilst developing the professional skills required and having access to basic skills intervention when necessary.

All of the projects experienced difficulties in brokering a basic skills partnership. The reasons for this were various: the primary focus at the beginning of the project on creating a good relationship/trust with the young people; issues around the role of basic skills within a project about reading for pleasure; a shortage of basic skills tutors; basic skills tutors feeling that they do not have the right skills to work with often challenging young people; the young people involved in the project 'falling through' the provision that is on offer (i.e. not old enough for adult provision but not on any other scheme); apparent lack of follow-through to tackle literacy needs where assessment has taken place; and a lack of funds to 'buy in' support to the projects.

YouthBOOX has demonstrated that a reading for pleasure approach, which engages with young people on their own terms, is a powerful tool for moving young people on both with their reading and life chances. It has also highlighted where there are gaps in provision and support for young people with low literacy, and where a more 'joined-up' approach would benefit both young people as well as partners.

Case studies

'C' - girl aged 16

In the beginning.
'C' was excluded from mainstream education for behaviour and low attendance. She comes from an abused background, has low self-esteem and a negative body image and has, in the past, self-harmed. She refused to take her cap off and constantly wore a hooded top with the hood pulled up over the cap.

When I first met 'C' in December 2002 she was withdrawn and uninterested in both the YouthBOOX project and the Vocational Integration Programme (VIP) in which it was based. For the first session, she sat well away from the main body of the group and refused to join in activities. For the second session I read some extracts from a teenage fiction book and, while the other young people sat and listened, 'C' sat reading through the picture books I had brought with me.

When the group dispersed and 'X' was the only young person left I tried to engage her in conversation. I had a book called 'Poems with attitude' with me and 'C' picked it up and started to talk about the poetry she writes herself. We had quite a constructive conversation about poetry and I felt we had made some headway although she was still fairly withdrawn and reluctant to be fully engaged.

Activities and techniques
The real breakthrough came when I started to visit her art GCSE lessons. There, the group was smaller consisting of usually only two or three young people, which gave me a chance to have one-to-one conversations with 'C' and find out more about her interests and her attitudes to reading and books.

'C' claimed to hate reading, but she wrote poetry and expressed herself in it very well. She wrote out one of her poems for me to keep, and we talked a lot about the fact that her poetry was so sad and dark. She asked me if I could find her some happier poems for next week's lesson. It became the norm for me to bring in poetry books each week and we often sat together and read poems aloud to each other and sometimes even read them to other young people in the group.

'C' decided that, as part of her art GCSE, she would illustrate some poems with her artwork. She particularly liked 'Poems with attitude' and decided to illustrate a poem called 'What my mother said'. I took a photograph of her illustration of the poem and sent it to the poet Andrew Fusek-Peters, who sent a letter and a signed copy of his latest poetry collection for teenagers, saying he was impressed. 'C' was delighted and touched. She showed everyone in the group and we sat together and read through the poems there and then. Later, when she took it home, she read some of them aloud to her mother and sister. At another art lesson 'C' decided to illustrate a poem about a book worm, and we enlarged words from the poem and she used individual words to great effect in her artwork. This lead on to discussions with the whole group about the importance of words and language in our everyday lives.

'C' related well to the professional cartoonist in the project, who engaged with the young people for several sessions - teaching them the techniques of cartooning and illustration. Generally, her attitude towards men was distrustful and apprehensive, but towards the end of the project she was a lot more open generally and made some good connections with the workers, men and women alike.

Indicators
By the end of May - a period of just six months on the programme - 'C' had become more open, happier, and more engaged with all aspects of the project. Whenever I asked for her opinion or help with something she became actively involved. She was happy to read out loud to me, and with me, often laughing at the poetry and sharing little facts from books such as 'XY Tool kit for life'. We often read picture books together as she particularly enjoyed them, especially amusing ones such as 'The story of the little mole' or 'The cheese and tomato spider'.

At the end of the project in May, she told me that she'd had great fun and wanted to keep up her poetry writing as it helped her to express herself. The change in her manner and appearance was remarkable and all the workers told her how proud they were of the progress she had made.

'B' - boy aged 13

In the beginning.
'B' had a complete aversion to even talking about books and print of any kind. His literacy skills were very limited. Playing snooker was a popular diversionary activity any time reading was mentioned. 'B' was fiercely self-critical and had huge self-esteem issues. In one 'getting to know each other' activity, for example, he said, "I'm not good at anything". Initially 'B' had to be cajoled and coerced into every activity, but the rest of the group were very supportive and made an effort to include him.

Activities and techniques
'B' is hypersensitive and will not accept even constructive criticism or any efforts to help him. This made his relationship with the visiting cartoonist very tricky as he refused to follow her instructions and insisted on drawing his own way. However he was interested in the collection of graphic novels she brought in to exemplify different styles and spent some considerable time looking through them and talking to her about them which proved to be a breakthrough.

As school librarian I have had the advantage of being able to support 'B' in reading lessons delivered in small groups in the library. Through informal chatting in a supportive and reading rich environment I was able to introduce him to texts from Barrington Stoke, which were clearly accessible and carried no stigma since everyone was reading them and, in fact, carried some kudos as 'B' was able to act as manuscript consultant for the company.

'B' is hugely knowledgeable about books because his mother reads aloud to him each night and we were able to use the Amazon web site to engage in lengthy and detailed talk about the plots and characters of his all-time favourite titles and suggest a few more linked to his favourite genres but slightly more "grown-up and contemporary".

'B' was coerced into attending the Jacqueline Wilson author talk and, despite being determined to leave after 10 minutes, he stayed, enjoyed it - and went away with a book, which he has since read at home with some support. By linking reading to 'B's other leisure interests (e.g. Warhammer), we have been able to introduce him to White Dwarf magazine, moving from flicking and looking at pictures to spotting numbers, discussing armies and reading captures and features before moving on to the White Dwarf website.

During a recent project held in the library, I was able to observe 'B's interests and guide him to relevant magazines and background/How-to books, in a way which would not have been possible without the skills I have acquired through YouthBOOX and the trust built up with him through the project. That build-up of trust has been vital.

Indicators
Although B dropped out of the YouthBOOX project (as the only boy he found it quite difficult to cope with the girls' tantrums), he has since joined another library-based group (Warhammer) and is able to talk with the librarian about his interests and share his experiences. The message that libraries are safe, supportive and helpful places with caring, interested and knowledgeable staff will hopefully influence his progress in the future.


YouthBOOX Moving On was funded by The Paul Hamlyn Foundation and managed by The Reading Agency and The National Youth Agency. Visit www.readingagency.org.uk or email ruth.harrison@readingagency.org.uk.

As part of the project, The Reading Agency has worked with Barrington Stoke publishers to produce a series of four fiction titles for young literacy learners. Visit www.barringtonstoke.co.uk.


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